One of the two actors I was waiting for came through - on Friday, after waiting for nearly two weeks. A lot of the delay was down to logistics. The other one didn't work out (wanting to put theatre on hold so as to get more TV - said the agent....), but I'm more than happy with the replacement. So - at least I have my cast and they are brilliant.
Amanda Boxer will be Marie. I worked with her in a reading years ago, and have kept my eyes on her ever since - a really brilliant actor. PK (if we end up calling her that - William says it means something rude in Cantonese) will be Nancy Crane, who was the Angel in Angels in America at the NT. At our meeting, I broke the ice by saying she'd done the most spectacular entrance in the history of the theatre.... and she returned the compliment for the arrival of ther plane in Nixon. So - we like the same sorts of shows. Both Nancy and Tony have been emailing me about research - it feels like we're rearing to go.
Thursday was the week's mad day. The morning began at Riverside for a production meeting with Babs, their Technical Manager. Standing in the space, the dimensions feel quite wonderful for the work. It's such an honest space - just a big room divided in two. Like the Cartoucherie. Bad news is that the venue's video projector won't be available to us - I start asking around and manage to borrow one form Wise Thoughts, who have the office next to us in Chocolate Factory 2. Straight from the Production Meeting into marketing and contract discussions with Alex, Louise's assistant. Somehow the proof of the venue brochure has the wrong copy on it- dash over to Simon's office and come up with new versions. Then to the National for a design meeting with Seema and Mark. He's on good form - also working on Love's Labours Lost in an American "summer of love" production, which looks totally mad and is going in to the RSC's Complete Works Festival.
Tickets are now on sale, and Simon has put up the beginnings of our micro-site: www.bordercrossings.org.uk/disorientations/index.html
The Index bit of that address might go once it's fully ready. I hope so - it isn't on the print.
Bad news on audience development - we didn't get an A4E award (again). This time because the accounts we sent in didn't have an original signature.... Valerie Chang is still doing the exhibition alongside the run, so something has come of it - but it means there will be fewer Chinese faces in the audience, which is a shame. The other interesting issue is the bank. I've been trying to get a meeting to discuss the fact that we're likely to go overdrawn during this project (since we don't get the Box Office or the last bit of the ACE grant till it's over). Several phone calls, but still no meeting. But we do have one ominous warning that Charity's accounts tend not to be granted overdrafts because they "don't know who we can hold responsible". Not sure what to do if we can't borrow anything..... Cross that bridge when we come to it.