The actors have their visas, the rehearsal room coffee is fairtrade and the roof leaks - it's pretty much ideal.
By way of a tiny intro to this blog, it will be my pleasure and, well, job to take you, the indifaticable reader, through the highs, the lows, the smiles and the miles of Dilemma of a Ghost.
Considering the effort and energy that's gone into to making it to this point, what with airmiles, embassies and several kilo of fufu consumed, it's rather incredible that eleven people found themselves sat in a circle at ten in the morning observing that greatest of first day traditions - having a nice cup of tea.
And by lunch the Ghanaian's were dancing. It gives me great pleasure to be able to officially state that there is nothing better for the digestion than watching Agnes Dapaah dancing as High Life music pours from the magical fingers of Osei Korankye.
We even had a read through! And already the incredible talent in the room is obvious, it's very humbling to see people performing in a second language, particulaly when they do it better than most people do in their first. Aunty Ama is particulaly enigmatic - but then she did begin performing in Concert Parties in 1965 - so she's had plenty of practice.
One of the great things about this process is the challenges that have been taken on. From language barriers, to cultural differences to the sheer logistcal odyssey that has gotten us to the first day - and I hope that there are many more like it.