Showing posts with label cliff cardinal. Show all posts
Showing posts with label cliff cardinal. Show all posts

Friday, June 07, 2024

The Land Acknowledgement

Cliff Cardinal in THE LAND ACKNOWLEDGEMENT

Back in 2017, we brought Cliff Cardinal's HUFF to ORIGINS. That's a year before this five-star review, which the show received for its Edinburgh run, on the day it closed. With Cliff's work it seems you have to be in the know.... His latest piece, THE LAND ACKNOWLEDGEMENT, which opened LIFT at the Southbank on Wednesday, started off in Canada during 2021, under the title William Shakespeare's As You Like It. As Cliff explains in this version of the show, especially (and necessarily) re-worked for London, that was a ruse to get "rich Canadians" into the theatre. The performance begins with a traditional red curtain in place, and Cliff comes through it to begin a "land acknowledgement". This is one of the things he has to explain in a bit more detail for his London audience: in Canada it's common practice for events to begin with an acknowledgement of the Indigenous people on whose land the event is happening. So the original 2021 audience would have thought his speech was just another tokenistic prelude to the main event, which would of course be the Shakespeare production. They got a bit twitchy as it went on rather longer than usual. Eventually it became clear that there wasn't going to be a Shakespeare production. The land acknowledgement is the entire show. 

I wish I'd seen that original version, and been able to observe the ruse in action, and the extraordinary actor-audience dynamic that must have evolved through the evening. In London, the ruse couldn't work in the same way, and so the title has changed and Cliff is honest from the start about what he's doing, telling the story of those original audiences as part of his performance. But here too, the relationship with the audience is deliberately and deeply uncomfortable. There's laughter a-plenty - the format is essentially a stand-up comedy set - but there are also winces, gasps and moments of profound and disturbed silence. At the Brighton Festival, there were walk-outs. After all, as Cliff points out, a Land Acknowledgement is basically an acknowledgement that the land has been stolen. Usually, when someone acknowledges that they have stolen something, they give it back. But here, the acknowledgement alone seems to be considered sufficient. That must have been very telling in Canada, and it hits home in Britain too, albeit in a slightly different way. The oil companies, the banks, the mining companies...  all those head offices that sit in the City and profit from Indigenous land while poverty wreaks havoc on the res.....  

In Australia, the conventions that have evolved are a bit different. The land acknowledgement there is known as a "welcome to country". Elders are asked (and usually paid) to welcome people onto their lands. But, as an Indigenous Australian activist explained to me, this protocol misses out one crucial aspect in the Indigenous tradition of hospitality, which is that the visitors used to request permission to come onto someone else's lands, and that permission had to be granted before any form of welcome was offered. Nowadays, permission is taken for granted and hospitality has been commodified. It's only by performing a land acknowledgement that you can raise the vital questions about their validity. 

Thursday, May 25, 2017

Pathways Through the Festival 2: Youth

Three Wise Cousins
Everyone knows the importance of Elders in indigenous cultures - but related to this is the huge emphasis placed on young people, and the passing on of culture to future generations.  ORIGINS 2017 has a whole string of stories to tell about young people growing to maturity in First Nations cultures, and what they learn along the way.  THREE WISE COUSINS is a coming of age comedy, about a young Samoan man living in New Zealand, who hears his potential love interest say that she wants a "Real Island Guy".  Cue the cultural education trip to Samoa...  

Johogoi Aiyy
Other films that treat the same sort of process in less comic way are SPEAR, which follows a young man's attempts to reconcile Aboriginal traditions with a contemporary urban world; and the extraordinary JOHOGOI AIYY (Johogoi God) from the Yakut people of Sakha in the Russian Arctic.  In this remarkable film, like no other, a young man travels to the annual midsummer festival — the Tuymada Ysekh - and we travel with him, learning as he learns about his culture, his spirituality and his destiny.
Huff
Youth is also central to our theatre programme, with Cliff Cardinal's HUFF casting an unflinching eye on some of the more horrific aspects of young lives on Native Reservations, where solvent abuse if rife and where the suicide rate is five times that in the rest of Canada.  Oddly enough, it manages to be very funny in the process.  There's light relief to follow with Joshua Warrior's Aboriginal stand-up ABORIGINAL GIGOLO, or hip-hop with the fabulous MAU POWER at the ORIGINS CONCERT.
Island Poké
Younger youth also have lots to look forward to - not least because of our Education programme, which will be taking over two primary schools through the festival, immersing over a thousand children in indigenous culture.  Some of them will be performing at PASIFIKA in Kensington, and that's going to be a great Family Day out on every level, with song and dance from a whole range of Pacific cultures, Maori martial arts, and Hawaiian food from our fabulous partners Island Poké.
Man of the Andes
On Sunday 25 June, there are two shows at Rich Mix aimed especially at young audiences.  MAN OF THE ANDES is José Navarro's puppet extravaganza, introducing children to Andean animals, Quechua music and the Scissor Dance, all without any language to get in the way!  BABA THE BAD BABOON is Sani Muliaumaseali'i’s new family musical, drawn from Samoan mythology, and taking in a few thoughts on climate change.

ORIGINS is a great place to be young....