This play, it turns out, though it is a serious and seminal piece of Ghanaian literary theatre, is at heart a musical. Who'd have thought.
The folk tradition in Ghana is still so strong that songs, their harmonies, relevance and downright loveliness are producible on a rehearsal room whim. It obviously helps having some of the finest musical talent of the country knocking about too. It's my hope soon to be able to get some of the music recorded and put up on this blog and really go multimedia. There are now half a dozen beautiful songs in the piece and they've all come about through Michael asking for a song about food or marriage - gorgeous.
In other news we're absolutely storming along, having nearly got to the end of walking through the play - though as this is such a short rehearsal process, the more goes through the performers can get before opening night in Plymouth the more relaxed we will all be. Also Osei has again come on leaps and bounds again, after a bit of home tuition from the Ghanaian ladies and I'll not be surprised if Hollywood soon comes a calling.